Makoto Ishiwata

          

  VACUUM PACKING !

   vacuum packing a state of mind of meat.
   inside and ouitside it seems to inside, but, in fact, it seems to be the outside.
   rubber fetish a pleasant feeling when putting rubber on the body.
   coherence friendly relation with a work by doing it.
   eroticism you try to become excited by an art work.
   pop cheerful, pleasantly, brightly.
   a sense of crisis you try to feel a crisis in a gallery.
   the first experience whenever a person become old, dokidoki, wakuwaku [palpitations] of first
     experience will decreance.
   bodily sensation type  it is almost forcible, feel it by a lot of nervers so long as you are possible.
   various ways  watch a work, touch to feel is everything. A thing to take in each person. What an
     artist thought about and did to make the work is not important. In reverse, do not limit feeling to
     taking sides with me looking at a statement and explantion from me. The people who say that art
     is difficult cannot understand it for oneself. What I was interested in usually and the work are mixed
     relation (ships) of peaple and art.

 

  Makoto Ishiwata
  1976 Kanagawa Prefecture, Japan

  Education & Experience
  2000 B-Seminar Schooling System completed.

  Selected Exhibits:
  1999 31st B-Semi Exhibition, Giseifuli [sacrifice fly], Yokohama Shimin Gallery
      Haizuka Earthwork Project, Art sufia haizuka '99, Homestay, Hiroshima
  2000 Haizuka Earthwork Project, Chisaina bijutsukan, permanent installation, Hiroshima
      32st B-Semi Exhibition, Yokohama Galleria, Bellini no oka Gallery
  2001 Zip Zip Zip Exhibition, Gallery H
      Tokyo Rabbit Paradise, TRaP
  2002 Vacuum Packing, T.L.A.P, Tokyo

 

  MAKOTO ISHIWATA is a conceptual artist whose recent work engages the audience in the experience of
  both physical materials and effects. The work for this exhibition Vacuum Packing is both immediate in
  the unexpected experience of seeing individuals voluntarily shrink wrapped and at the same time invokes
  larger questions of our sensory deprivation and encounters with the world. He exhibits in Japan and this
  is his first exhibition in the U.S.